Sanity Sunday- Two Gabriels of the Subways

  by Nomad

If you've never been to New York, there's one pleasant thing that might catch you off-guard. That is the extraordinarily high quality of street music. Jaded New Yorkers think nothing of it. It is their background music but as a visitor, I was deeply impressed.  I suppose that's why I often feature street musicians on my blog.

That high quality is not an accident. Every year since 1985, the New York Metropolitan Transit Authority holds auditions, to maintain that standard.

The program is called “Music Under New York” or (MUSIC) and with acts like Haitian folk singers and Balkan party bands, reflects the wide cultural diversity of the city itself. 

Musicians Gabriel Royal, and Gabriel Mayers, who play and sing in the subway, are featured in this post.

Sanity Sunday- Four by Creedence Clearwater Revival

by Nomad

It's hard to imagine anybody being unaware of the band Creedence Clearwater Revival (CCR). Formed in 1967 in El Cerrito, California, this band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother rhythm guitarist Tom Fogerty, bassist Stu Cook and drummer Doug Clifford.

Despite its San Francisco Bay Area origins, CCR's musical style was arguably closer to Southern rock. Besides the band's ability to crank out some good tunes, its enduring legacy was its political and socially-conscious lyrics.

The music has, over the years, been featured as part of the soundtrack in films about the Vietnam War, especially "Fortunate Son" and "Run Through the Jungle."

Sanity Sunday- Four by Souad Massi

by Nomad

As you know by now, the sources for our music for Sanity Sunday breaks are diverse. This week we turn to an Algerian singer of Berber descent, songwriter, and guitarist, Souad Massi.

One doesn't get much more eclectic than Massi. From her Wikipedia entry:

Massi's music, which prominently features the acoustic guitar, displays Western musical style influences such as rock, country or the Portuguese fado but sometimes incorporates oriental musical influences and oriental instruments like the oud as well as African musical stylings. Massi sings in Classical Arabic, Algerian Arabic, French, occasionally in English, and in the Berber language, Kabyle, often employing more than one language in the same song.